Sunday, June 27, 2010

We need a central clearing house for copyright complaints

My letter to the Presidents of RWA, SFWA, and Authors' Guild concerning copyright infringement.

Dear Scott Turow, Allison Kelley, John Scalzi,

Thank you very much for everything you do to defend authors' copyrights against copyright infringement. We very much appreciate having an address to which to send our complaints, and the comfort of knowing that you compile a database of the most egregious "pirates" and pirate sites.

Despite small triumphs, ignorance persists among honest readers; lies about the legality of "sharing" go unchallenged, and the problem is getting much worse.

Please Scott Turow, Allison Kelley, John Scalzi will you talk to one another, set up one powerhouse task force, meet regularly, share resources, engage your members, give authors one central "Go To" address where we can submit complaints, report piracy sites, blogs and yahoogroups, cc our individual take-down notices.

One forceful industry voice could shut down an entire account and insist on a hosting site complying with their own TOS where their TOS has been repeatedly violated, instead of individual authors taking down one file at a time.

Thank you.

Rowena Cherry

Permission granted to forward, share, repost, or use as a template for other open letters.

Thursday, December 3, 2009

The best ever multi-author sampler (apart from the other one)

Authors in this sampler include:

Joy Nash, Jade Lee, Deborah Macgillivray, Beth Caudill, Rowena Cherry, Susan Grant, Linnea Sinclair, Dawn Thompson, Cindy Spencer Pape, Charlotte Boyett Compo, Robin T Popp, C L Wilson, Nina Bangs ... and more.

Thursday, May 21, 2009

Space Pirates by David Lee Summer

Greetings! My name is David Lee Summers and I want to start off by thanking Rowena Cherry for this opportunity to talk a little bit about space pirates and, in particular, how I created my space pirate characters and the world they inhabit.

To give you some background, I am the author of five novels. The first of my novels is The Pirates of Sufiro, which starts off as the story of a band of space pirates that are marooned on a distant world they name Sufiro. Over the course of the novel, the pirates who were stranded have to battle corporate pirates who try to take over the planet. Thus the book explores the idea of "piracy" from multiple angles. I have recently explored my space pirate characters even more in stories appearing in the anthologies Space Pirates and Space Sirens published by Flying Pen Press. Another of my novels, Vampires of the Scarlet Order, is a supernatural thriller, but it features a cameo by the real life pirate, Grace O'Malley.

The phrase "space pirates" conjures up images of marauding bands cruising the galaxy in space ships. Perhaps the blaster-wielding captain has a robot parrot on his shoulder and some kind of high-tech eye-patch with a heads-up display. Movies and television have invoked this image numerous times and I think such pirates can be a lot of fun, even though they're often extremely campy.

Look a little harder at the idea of space pirates, though, and an interesting picture emerges. To summarize the United Nations definition of piracy, it is a criminal act of violence, detention or depredation committed by the crew or passengers of a ship or aircraft directed against another ship or aircraft – or directed against a ship, aircraft, persons or property outside the jurisdiction of a country. Apply that idea to any vessel that is either in space or operating on a distant world, and you open up tremendous story potential.

My own love of pirates started at an early age. I grew up in Southern California and was lucky enough to visit Disneyland a few times as a kid. One of my favorite rides from the time I was about six years old was The Pirates of the Caribbean. I was also a Star Trek fan from a very young age. Though a bit too young to remember the original series when it first ran, I was exactly the right age to watch Star Trek: The Animated Series when it ran on Saturday mornings. One of those episodes was "The Pirates of Orion" written by Howard Weinstein. I already was a fan of pirates and I just fell in love with the idea of pirates in space.

In the years after that, though, most depictions of space pirates that I came across grew painful. I saw far too many actors with robot parrots on their shoulders hamming it up for the camera. As I mentioned earlier, they could be fun to watch, but they did get old. I probably would never have even tried to write a story about space pirates if I hadn't come across the Bio of a Space Tyrant novels by Piers Anthony. In the first novel, Anthony introduced space pirates that were colorful and fun, but at the same time very dangerous. These were the kinds of space pirates I was looking for.

In 1988, I set out to write my first story of space piracy for a writing workshop in Socorro, New Mexico. I wanted to create pirates that were larger than life, fun, but yet a bit dangerous, much like the good space pirates I had encountered before. That's when Ellison Firebrandt and the crew of the Legacy who appear in The Pirates of Sufiro, Space Pirates and Space Sirens were born.

As I worked to create my pirates, I spent time in the library reading historical accounts, trying to get some idea for the motivations of historical pirates and how they operated. As I read, I found the stories of Henry Avery, Bartholomew Roberts, William Kidd, Anne Bonny and Mary Read particularly captivating.

Now, I believe it's important that a writer create a world where it's believable that space pirates exist. That said, if we postulate a universe where humans are colonizing other planets in the galaxy it's reasonable to expect that pirates will exist. In my "day" job I operate telescopes at Kitt Peak National Observatory. It's actually hard to imagine a star empire or galactic alliance with so much money that they could patrol every possible planetary system imaginable. Likewise, it's hard to imagine a future where everyone is so well off that someone won't be motivated to try to take what someone else has. Just recently, we had the incident of Somali pirates taking an American ship not far from American warships. Even with only a small boat and a few guns, they created a very difficult situation for this country. The galaxy is a much bigger place.

In my universe, Earth recognizes that it simply cannot patrol much of its territory at all with warships of any sort. It becomes much more practical for humans to issue Letters of Marque to pirate crews and allow them to harass ships from competing systems and colony worlds.

My pirate captain, Ellison Firebrandt, comes from a poor family. His father was a miner in the asteroid belt and it looked like Ellison's fate would either be to follow in his father's footsteps or go into some other hard labor for the rest of his life. As with the pirates of old, life aboard a pirate ship seemed to offer more freedom and opportunity for young Firebrandt than a life wasting away as a miner or a laborer for one of the giant corporations of Earth. Because Firebrandt is the protagonist of the stories in which he appears, I felt it necessary to give him a moral compass. He is loyal to Earth because the government provided his Letter of Marque. He kills and robs, but he does so with the intention of aiding Earth.

In the story "For a Job Well Done", which appears in the anthology Space Pirates, Firebrandt tries to fence stolen items through a gang that secretly pulls the strings on one of Earth's colony worlds. The gang maintains control through the torture of the planet's populace. In the process of discovering this, Firebrandt meets a woman named Suki Mori and a romance is born. Though Firebrandt is, himself, a criminal, his moral compass can't abide the self-serving interests of the gang he encounters and he feels compelled to stop them. Even though the story is science fiction, it was heavily influenced by contemporary headlines.

In the follow-up story entitled "Hijacking the Legacy" that appears in the anthology Space Sirens, Suki Mori discovers the cold hard reality that her new-found "friends" really are bloodthirsty pirates. She tries to escape but throws herself and the pirate crew right into the hands of a military captain that doesn't recognize Firebrandt's Letter of Marque. This puts Suki into a crisis of conscience. She recognizes that the crew of the Legacy is composed of criminals, but she also realizes that they're the ones who saved her from an even worse criminal gang. Can she simply let the pirates be killed?

Historically, not all pirates were clear-cut villains. They often came to piracy through a series of circumstances and choices. Often times there were no good choices for these people. Sometimes it was live as a slave or live as a pirate. Sometimes being a pirate seemed less horrible than being a crewman for a ship of the "legitimate" military. In creating my space pirates, I worked to create a universe that presented my characters with many of those kinds of difficult choices from history. I worked to create characters with enough of a moral compass that those choices were interesting ones to explore. Hopefully the stories are an exciting, fun ride as well!

If you would care to learn more about my novels and the anthologies where my stories appear, please visit and click on the links for "Books and Audio Books" and "Short Stories and Poems."

Monday, May 4, 2009

Magical Beings


Courting the Craft of Paranormal Romance

We’re a multi-cultural society, a global community of varying histories and legends. And yet, somehow, we all share a fascination with the supernatural … with the idea that the things unseen are not inactive. The concept of myths and legends shared through storytelling is as old as the spoken word. Among the cultures of the world, there is no shortage of fantastic tales and captivating creatures that haunt the psyches and dreams of a village’s or nation’s inhabitants. A further binding feature in every culture is the pursuit of romance and love. Combine the two, and you have a formula for a riveting story. It is not unexpected, therefore, that tales of magical beings in paranormal romance continue to explode as a popular fiction genre.

The area of romance fiction generated $1.375 billion in U.S. sales in 2007, a five percent increase over 2006, making it the biggest fiction publishing category for that year, according to Business of Consumer Book Publishing. The next largest market is sci-fi & fantasy, generating $495 million in revenue for the same year. A recent article in The New York Times reported that Harlequin Enterprises had fourth-quarter earnings in 2008 that were up 32 percent over the same period a year ago.

The paranormal romance formula seems simple: magical being meets normal, or latently magical, potential mate →withholding of secrets or self →conflict → third party interference → challenge of skills →new awareness → resolution. Or something along those lines. However, there are certain standards of storytelling that must be in place for the concept to work. The most successful paranormal authors have figured out certain aspects of the storytelling that ring most true with readers.

Following are some general guidelines as to why some supernatural romances work so well:

• The magical skills and idiosyncracies of the hero or heroine are established early on and closely followed. This is sometimes called world building, but it’s also personality building. A reader wants to get the sense that the character could be a real person, someone they can understand. The only way for that to happen would be if the author knows their character as well as or better than she knows herself. So if, for instance, our hero Shazam has a fiery temper that can erupt without warning, the reader needs to be given glimpses of that before the actual eruption. It builds tension, as well as an affinity for what Shazam is thinking and feeling.

• Supernatural skills have to be super. A reader doesn’t want a hero who can read really fast or jog backward. Exceptional abilities make for exceptional characters. One single ability that is carried out with unusual panache and an understanding that very few can do what he or she can do makes for riveting reading. As an example, Stephenie Meyer’s Twilight Series focused on a family of vampires, unusual in itself. Yet, additionally, each vampire had a unique gift that gave him increased value to his family, and to the story: e.g. the ability to read minds; the ability to influence thought; the ability to heal; the gift of foresight.

• Despite characters being in possession of such tremendous skills, the reader wants to be able to identify in some way with those characters. These are the all-too-human traits. Does she love dogs? Does he notice the way she never wants to be alone? Does an abiding anger or vengeance keep him from recognizing the feelings another has for him? Does she want to break free from her tribe or pack or past to forge a new life, but doesn’t know how? These very human dilemmas will make even a superstrong, shapeshifting vampire sympathetic in some way. Without it, the reader won’t care and won’t read on.

• Finally, the atmosphere of the story sets the tone for the story itself. Yes, this is world building; it is also world decorating. Whether it’s regency time travel or urban fantasy, the reader wants to be submerged in the very air that surrounds the characters. What are the smells and temperature of the wind that blows in from the past, or the breeze that shuffles over the ripe fruits of the souk? The successful paranormal author structures an environment that, though supernatural, is believable because it is consistently on display through the use of vivid description. This is where research on the author’s part is most apparent. A story told among the sidhe (shee) of Ireland must convey the essence of Ireland like a well-written travel article would. Travels among the djinn of the Middle East must evoke the exotic scents and textures of locales that most Western readers will never have visited. Research, imagination, and lush narrative combine for the successful setting.

Once these building blocks are in place, it’s up to the author to carry the story through. An unpredictable plot is a sure way to hold the attention of the reader, and that really does depend upon the skill of the author. In today’s rapidly evolving storytelling industry, one thing that is predictable, however, is that romance fiction is here to stay.

 K. F. Zuzulo
Author of A Genie in the House of Saud: Zubis Rises, from Mystical Publishing
and The Third Wish, from Sapphire Blue Publishing

Monday, March 23, 2009

Afraid, by Jack Kilborn : A horrifying book. I ate it up

Afraid by Jack Kilborn is a horrifying book with a particularly satisfying ending.

I like cozies. I might as well be honest about that. Also happy ever afters. Further, in the interests of full disclosure, you should know that I read AFRAID by Jack Kilborn (with a view to a review) because Joe Konrath dared me to do so. He has a thick skin, and a strong stomach... and anyone who reads AFRAID needs both.

This is not a book to take on a fishing trip, especially if you've left your loved ones at home, alone. In fact, this book ought to come with a free membership of the NRA. You'll want your Brinks alarm turned on, and a loaded shotgun under your mattress if you read AFRAID in bed at night. You might want one of those panic button pendants, too.

Be warned. It is gruesome. AFRAID is the sort of book to be read aloud, in a large group. Maybe journalists who need to be kept up all night --for a slow-to-break story on Airforce One, for instance-- or secret types on a stakeout, would get a bang out of AFRAID.

The villains are seriously, SERIOUSLY, nasty. My own most horrible villain (Insufficient Mating Material) rendered his victims insensible, had his wicked way, then took a small plug of pubic hair for a souvenir. Jack Kilborn's baddies do a great deal more than that. You get a sense of the horrors to come when a faceless bad guy sits on his first victim's bed, and when she asks what he's going to do to her, he says "Everything."

And that's just page 7.

This book contains some sick stuff. Nothing is off limits. Think Hannibal Lecter times five --or six by my count-- with the absolute might and force of the US government backing them up...or at least covering them up.

The pace is relentless, the characterization --unfortunately-- is excellent. You will care about these people. No one deserves to die the way so many do. The writing is crystal clear, like carved coal, dark, sparkling, with more than an evil glint. There's no silliness, no messing about, and nothing strikes you as implausible at the time, even if some of the violence is over the top.

You won't want to put down this book until you reach the last line. It's a good last line. Really good.

Afraid is a horrifying book with a particularly satisfying ending. I thoroughly recommend it.

best wishes,

Rowena Cherry

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Sunday, March 1, 2009

JA Konrath

S.A. begins with a most unhappy --but healthy-- gentleman crossing a snowy parking lot, carrying a semi-see-through, blue plastic box containing a large stool sample. In fact, it's not a sample. It's the whole enchilada.

He's taking this vigorous specimen to his doctor because there's something unusual about it. There are buttons and coins embedded in it. Now, it's nothing like that health insurance advert where the patient has money coming out of the wazoo, as the western oriental ER surgeon explained when making one of those predetermination phone calls.

The coins are small change. The doctor's advice about unhealthy midnight snacks is... priceless.

After a thorough rectal exam which brings to light many strange things and leads to some unpalatable conclusions in the mind of our hero, he waddles off to search the internet for clues as to whom he's been eating when the moon is full.
Just when I thought I'd read every dragonish permutation of bad people tasting good (or bad), or good people tasting bad (or good), JA Konrath comes up with a fresh twist.

This story is a riot. I laughed out loud three times in the first three pages. Of course, there are certain bathroom words that will make me laugh out loud. One of them is poop.

The would-be sci-fi writer in me appreciated the elegance of JA Konrath's solution as regards mass. The hero has a mind-boggling telephone conversation with a were-squirrel... who collects nuts... and he asks both questions that spring to mind, much to this reader's delight.

I'm not going to tell you what 'S.A.' means, because I enjoyed guessing.
Poop is a very good place to start, when one is creating a convincing werewolf. Done right, starting with the scat is an excellent short cut to world-building.
Jacqueline Lichtenberg advises world-builders to start with the sun. But for a short story about a magical being, why not start where the sun don't shine? I'm not a gentle reader. I don't suspend disbelief easily. I'm not programmed to trust my author, no matter how outrageous. Not at first, anyway.

I can give a turd the benefit of the doubt for several reasons. For a start, the narrator is embarrassed about it. That's believable. He's also frightened. He's not Mike Rowe (of Dirty Jobs), so he's probably not inclined to put it through a sieve.
If there are bits of teeth, chips of bone, coins, buttons, a crucifix, a clump of dead man's beard... I get the picture. I don't worry about the force of a werewolf's bite, or his stomach capacity, or the inhuman speed of his digestive processes whereby the indigestible evidence of his midnight feast ends up in his morning toilet bowl.

I found SA hugely entertaining, although the short tale did plunge into farce, horror, sweet romance, and heart pounding action. Perhaps a little too much was packed into 50 pages, but it was great fun.